![]() ![]() I am always looking for more places to learn, so please let me know if you have any recommendations. 18681917) became famous through the publication of the 'Maple Leaf Rag' (1899) and a string of ragtime hits such as 'The Entertainer' (1902), although he was later forgotten by all but a small, dedicated community of ragtime aficionados until the major ragtime revival in the early 1970s. This is a collection of the sources I have used for my research on ragtime. We are fortunate to have this recorded history of a primary innovative source demonstrating the nuances of the music he grew up around and went on to advance irrevocably. I agree with Schuller’s observations, but I also need to add that there is more in the music than can be expressed in mere words. The side-by-side comparison Morton offered makes the difference strikingly clear. Cory Halls own easy version arrangement of Scott Joplins famous rag for pianists around Grade 4. In other words, Morton’s rhythmic language was less predictable and contained more forward momentum than Ragtime. JOPLIN: Maple Leaf Rag - Easy Version (arr. “By means of his improvisational methods, Morton was able to horizontalize the music, as it were, and to suppress the vertical, harmonic emphasis of ragtime and other musical forms” (Schuller p. Maple Leaf Rag by Scott Joplin We are lucky this even exists. Schuller purports that the key to Morton’s “smoothing out” of the “rhythmic tightness” found in Ragtime is due to the improvisation in his right hand (Schuller p. ![]() In his critical book Early Jazz (1968), Gunther Schuller singles out this particular recording as a prime example of the evolution of swing feel. Morton performing Maple Leaf Rag in a Ragtime and Jazz style in his 1938 interview with Alan Lomax ![]()
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